I'm going to Disneyland this weekend and want your suggestions. Best rides? Worst rides? Best eats?
I was 10 the last time I went so I don't remember much from that trip.
Let me know!
1 week agoAustinScrewAttack PotatoHound
Hey everyone! I know some of you may know me already, but I figure it's about time I officially introduce myself (plus I want to start using the site more.)
My name is Austin and I'm a producer for ScrewAttack, working specifically on the shows DBX, DEATH BATTLE Cast, and DEATH BATTLE. I've been with SA for about 4 years now, previously coming from restaurant management, and I've got a passion for music, science, and cooking.
To be honest, I'm not totally sure what kind of posts you can expect to see from me in the future, but if you have any questions or topics you'd like to hear from me on, let me know in thread!
1 week agoericvespe
Hey, guys. Exciting news! Tomorrow we'll be giving the whole RT community an early glimpse of Mondo's newest art show. Before doors open for their new event I'll be hosting a Facebook Live tour of all the coolest pieces on display. Artist Jason Edmiston will be joining us and showing us his 100 pieces of original pop art that he's created for this show.
The show is a sequel to his popular Eyes Without A Face series. He's painted hundreds of pop culture eyeballs and tomorrow you'll be able to see everything he's got in store before anyone else! People have been in line since Wednesday to get in!
To celebrate the good folks at Mondo have given us the debut of one of his pieces... which should be of particular interest to the RT community. Check it out:
Here are some of his other famous eyeballs that'll be at the show:
There's even rumors that he's unveiling a 22 foot long painting. He did King Kong's eyes in his original 2015 show. Can you think of any other giant pop culture character who would demand a 1:1 eyeball painting? I got some theories...
Anyway, make sure to stay tuned to Rooster Teeth or The Know's Facebook pages tomorrow around 5:30pm CST for a live tour of the gallery and brag to all your friends that you were the first people ever to see what's in store!
@ericvespe on Twitter
2 weeks agonicolew Events Coordinator
My heart is content!! The Philadelphia Eagles won Super Bowl LII! So proud of this team and what they accomplished this year. Shout out to Alshon Jeffery, my fellow Gamecock. I can't stop watching all of the replay videos and interviews. This really doesn't feel real yet. I wish I could be up there tomorrow for the parade and to celebrate with my family! E-A-G-L-E-S EAGLES!!
2 weeks agoJoshuaKazemi ScrewAttack Editor
Those of you who tuned in to the season premiere of DEATH BATTLE on YouTube today might have noticed a new kind of Blue Apron ad. That little gem was directed by Noel Wiggins of ScrewAttack. It was edited by me and shot by the two of us. It stars the incomparable Austin Harper of ScrewAttack, Rooster Teeth's Cockbite of the Year 2017. It was a labor of love and something we all have being working towards in our careers for years. We really appreciate this award and have a lot of people to thank; Chad James, Sean Hinz, Ben Singer and everyone else over at ScrewAttack who believed in this passion project. We also want to thank everyone here at Rooster Teeth and of course, everyone over at Blue Apron, a better way to cook. Oh, they're playing the dubstep and that's my time. Thank you all! You like it, you really like it!
Watch the Video: YT
2 weeks agoandrekrat Live Action VFX/Motion
Hi there! I guess I should introduce myself properly, my name is André Ouellette and I'm the VFX and Motion Graphics Designer for the Live Action department.
I've been with RT for almost two years now, and I have had the pleasure of working on, at least in some capacity, almost everything that the Live Action department releases. It's a lot of ridiculous, stupid, awesome fun and every week is totally different.
One thing I wanted to talk about is a mantra that I've really learned to embrace while working on Blood Fest these past few months. (Also something I'm very excited to talk more about soon). That mantra is "I'll see what I can do."
It can be tempting, particularly when you're thrown a curve-ball of a shot request, to say "I can't do that" or "We don't have the time". But more often than not I find that once you sit down and unpack what needs to be done you'll be surprised at the kinds of solutions you come up with. VFX and Design are about problem-solving more than anything else. Whatever cheats and shortcuts you can get away with to make a shot work are fair game, as long as it looks good nobody cares how you got there.
When you say "I'll see what I can do" you're refusing to admit defeat from the onset, you're immediately opening your mind to weird solutions and quite often those weird solutions will get you damn close, if not all the way there. And the best part is that you can file away that knowledge and use it in the future. The more you say "I'll see what I can do", the more you build a library of dumb tricks and cheats that you can rely on for the next shot.
It's important to be realistic and honest in what you think you can accomplish, but it never hurts to dive into things and see what you get. I can't count the number of times I initially told myself that something was too dumb to work, or would look too fake, and found that I was totally wrong. My favorite moments of the work day are when I laugh at how wrong I am about impossible shots.
2 weeks agosophieturcotte Public Relations Manager
The universe is weird. There's a car in space now. But I think what I mean to say is there's energy that's just traveling around all the time and connecting us all. DEEP. How else could you explain the idea of letting Rebecca announce RTX London just planting itself into my brain? I don't really know how it all happened, but share in some love and joy in this crazy world for a minute (and watch the vid).
2 weeks agoAdamRB Live Action Editor
Hey everyone! I'm Adam Bailey, one of the live action editors and lead editor of Million Dollars, But. To celebrate the release of MDB, the live action post team is hosting an AMA to answer all your deep burning questions about editing, VFX, sound, and everything post related.
But it's not just for MDB! If you've got any questions about Immersion, RT Life, Shorts, the post-production life, or just want to get to know us, join in!
It will be on Wednesday (that's today) February 7, 2018 at 4:00 p.m. CST on THIS JOURNAL!
Here's the full team that will be joining me for the AMA:
Dan Hirons @dan_dan
Editor - Blood Fest, 11 Little Roosters, RT Shorts, Million Dollars, But
Sarah Deuel @Sarah
Editor - Lazer Team 2, Immersion, 11 Little Roosters
Kody Gibson @gibsonnotguitar
Editor - Crunch Time, 11 Little Roosters, Immersion, RT Shorts
Joe Ashe @brosephashe
Editor and Colorist - 11 Little Roosters, Every awesome trailer and sizzle reel you've seen on our site
John Moore @Freelancelot001
Editor - Master and Apprentice, RT Life, Million Dollars But
André Ouellette @andrekrat
VFX Artist/Resident Canadian - Everything.
David Nguyen @DavidTheNguyen
Assistant Editor/Badass - Blood Fest, Million Dollars But, and literally everything
Cody Graham @GrahamMasterFlash
Assistant Editor - Bloodfest, Master and Apprentice, Million Dollars But
Jake Camitta @JakeMix
Audio Mixer - Million Dollars But, Master and Apprentice
Allison Feldstein @allisonf
Post Production Producer - Blood Fest, Master and Apprentice, Million Dollars But, and more!
We're looking forward to talking with y'all! Go ahead and start leaving your questions if you want, we'll be back at 4:00 p.m. CST to start answering them live.
Edit - Thanks for all your questions everyone! We've all had a fun time answering your questions and sadly we must put the chair restraints on and get back to editing before they realized we escaped. However, if you've got additional questions feel free to ask away and we'll try and answer them when we can!
2 weeks agoemilyweeks RT Office Coordinator
Time for our regularly scheduled programming of instant pot adventures!
Tonight's recipe is the easiest recipe I have made with my pot so far. Huge shout out to @Becca for leaving this in the comments on one of my previous journals.
This recipe made me six 4oz servings of chicken. Perfect for meal prep! As soon as the chicken was done, I measured and portioned it out immediately for refrigerating.
I love how versatile this is! You can make tacos, rice bowls, salads; whatever the hell you want, really. Because I'm going the low-carb route, I made something in between a salad and burrito bowl with my chicken.
2 lbs boneless, skinless chicken breast (you could probably use thighs for extra flavor if you wanted, but I opted for a leaner protein)
1 cup salsa of your choice
- Throw the chicken in your pot and pour your salsa on top. Give it a quick stir to really coat the chicken.
- Close the lid, make sure your valve is closed, and select the Poultry option. Let cook for the default amount of time (it's 15 mins on my pot) and let the pressure release naturally after the cooking cycle is complete. Alternatively, if you have an actual Instant Pot branded pot, you should have a Manual function. You can cook this chicken on Manual pressure setting for 7 minutes. (I have a Crock Pot Express Pot, which doesn't have an explicit Manual button, so I just went with the Poultry option on default time and pressure.)
- Open your pot and use two forks to pull the chicken apart, give things another good stir to coat, and you're good to go!
- Optional: Here is how I constructed my salad/bowl if you're interested. I started off with 1oz spring mix and spinach greens, 1/4 cup black beans, 4oz of the chicken, and 1/8 cup shredded Mexican cheese.
Tonight I needed something quick(ish) and easy to cook, because I left work later than I usually do, and still had some things I needed to accomplish at home. I threw everything in the pot, squeezed in a yoga practice while it cooked, then ate, and portioned out the remaining meal prep with plenty of my evening left to get things done. Winner winner, chicken dinner.
Do y'all have any quick and easy go-to recipes? I'd love to hear them (so that I can make them).
2 weeks agoadam Director of Technology
2 weeks agoericvespe
Gotta love these surprise Star Wars announcements! The Lucasfilm train is charging full steam ahead on these Star Wars movies. Not only are we getting the Skywalker Saga films (i.e. episodes 1-9). Not only are we getting Rian Johnson's completely separate new trilogy. We're also getting a new series of films to be written and produced by the minds behind Game of Thrones.
That's right, David Benioff and D.B. Weiss will write and produce a new series of Star Wars films that will not be tied to either Johnson's standalone trilogy or the Saga films. The only other detail in the press release is that work would be begin on these new Star Wars films once Benioff and Weiss wrap up the final season of Game of Thrones.
Star Wars has already been lifting GoT cast members (long live Phasma!) and we know that this team is really good at developing complex and most of the time really fucked up characters and can play nicely in a brilliant author's sandbox.
It might just be me, but I'm sensing a move away from the standalone film formula they've been trying with both Rogue One and Solo. It seems what's appealing to the creative minds at Lucasfilm is to explore completely unknown areas of the Star Wars Universe.
There have been rumors of the Obi-Wan spin-off movie, but nothing has been announced by Disney. The only things announced have been new series with no connections to anything that came before.
That, in my humble opinion, is great news. Transitioning the Game of Thrones team immediately into the Star Wars universe is also, in my humble opinion, great news. Maybe this means we'll finally be getting Michelle MacLaren directing a Star Wars movie!
The sky's the limit on what these guys can do and that is exactly what is going to keep Star Wars fresh. Can't wait to see how this develops!
2 weeks agoericvespe
It's a little sad how excited I get for any piece of marketing for Deadpool 2. That team killed it so hard on the first movie and now it feels like they're taking it up a notch for the sequel. They've had some great reveals so far and now they've got a kickass new poster which takes inspiration from, what else, an early '80s dance drama.
That is indeed the Merc with a Mouth striking a Flashdance pose for Deadpool 2's teaser poster. Instead of being drenched in water good ol' Wade Wilson is being pelted by spent shells. Appropriate.
I have no reason to doubt the awesomeness that awaits us in the high profile sequel and even if it turns out to be a huge flaming turd we'll always have this fantastic marketing campaign! Can't wait for more!
2 weeks agoericvespe
It's been a few days, so I figured it's time to come out with another Happy Birthday... You Should Watch! We got a few interesting February 6th birthdays, but only two I'm going to focus on/recommend a movie for. Those two birthdays are Rip Torn and Kathy Najimy. I'd also like to tip the hat to fellow birthday celebrators Ronald Reagan and Francois Truffaut.
I must admit one of my cinephile shames is I'm pretty undereducated on the French New Wave so I wouldn't feel confident recommending a Truffaut film against his entire filmography. I mean, I can say The 400 Blows is pretty great, but that'd just be me recommending the big one of his I've seen, so let's avoid that.
And as far as Ronald Reagan is concerned, he's been in some good movies (like The Killers and Dark Victory), but the only movie of his you can really bring up is Bedtime for Bonzo since it'll never stop being funny that the guy that starred alongside a chimp in a silly kids movie was a two-term President of the United States.
So, happy birthday to everybody, but let's look at two movies starring these two special people!
Defending Your Life (1991) – I love this movie. It's one of those silly, high concept romantic comedies that just works for me. It's about a lovable fuck up (Albert Brooks) who dies and then moves on to purgatory where a trial is held to determine whether or not he deserves to move on to heaven or is sent back to be reincarnated and have another go at being an overall good person.
It's not a sure thing. He was a flawed man. Not bad, not evil, but a little bit of an asshole. The problem is while he's in purgatory he falls in love with Meryl Streep and she's pretty much guaranteed to get into heaven, so if he isn't deemed worthy then he'll never see the love of his (after)life again.
Rip Torn plays Brooks' lawyer and he pretty much steals the show. It was a big moment for him as an actor because it opened up a whole new world for him. You see he was always known as the very serious, gruff, mean type and this movie showed the world just how great he was at comedy. Turns out that tough exterior was a perfect for delivering dry comedy.
He followed this film up with his perhaps career-defining work on HBO's The Larry Sanders Show, again tapping into that hard-ass who also happens to be hilarious persona and that was the trend setter for the rest of his career, which saw him mostly in comedic parts. Men in Black, Dodgeball, Freddy Got Fingered, Down Periscope, etc.
It all started with this role in this very, very good movie, which is available to rent on all major streaming services.
Hocus Pocus (1993) – Hocus Pocus has had a bit of a nostalgia-driven resurgence in recent years. I was 12 when it came out and remember it fondly myself, but it's interesting to see just how much people seem to love it because when it was released I don't remember it having much of a social impact. I don't remember kids talking about it at school or super hyped up on it.
I was drawn to it for a couple reasons. First at that age I watched literally every movie that came out. I was old enough to ride my bike to the mall (miles away) by myself, through traffic... it was a different time! So I'd just go every weekend and see whatever was playing at the four screen mall theater. If it was the same movies as last week I'd watch my favorite a second time.
Naturally I was always drawn to anything genre, too, so you better believe I saw this one a couple times. It's also of note that one of the stars of this film was the kid who starred in one of my favorite shows at the time: Eerie, Indiana.
Anyway, I saw this a lot as a kid and haven't revisited it since, but it's come back in a big way thanks in large part to Disney embracing it at their theme parks every Halloween. They have big special event nights where they bring out people dressed as the Sanderson Sisters and they do a big musical review, which in turn inspires a whole new generation to seek out this movie.
Kathy Najimy gets to be more at the forefront here than she was in the Sister Act films (another childhood favorite of mine) and plays goofy very well. I like how she bounces off Bette Midler and Sarah Jessica Parker. That chemistry alongside the film's bizarre tone is one of the reasons this flick is enjoying a second life. Available for rent on all major streaming platforms.
Anyway, that's it for this edition of HBYSW. Let me know what you think of these films, especially if you haven't seen them before and decide to give either a watch. See ya' on the next one!
@ericvespe on Twitter
2 weeks agoRTSamStarr Marketing Coordinator
Dear Rooster Teeth Community,
This past weekend, I had the immense honor of joining some wonderful people in the RTX Sydney live chat on our new video platform. I tuned into the stream mostly for some background noise as I made dinner, and to see how my coworkers were doing in The Land Down Under. Until this weekend, I had only browsed through the live chat once or twice, but never fully participated.
I should preface this by saying that I am still relatively new to the RT community - my first true experience and introduction to Rooster Teeth was RTX Austin 2017. One of my old coworkers had left my previous job to work for RT, and after asking her about RTX, I got a weekend pass to see what it was all about.
I had never been to a con before, nor was I familiar with any of RT's content.
BOY WAS I IN FOR A RIDE!
I went to panels, made friends in lines, got some awesome swag, and danced the night away at the VIP party. I was so impressed by how welcome I felt in a sea of people united by a common cause of which I was relatively unfamiliar before that weekend. I felt at home from the moment I walked through the door, and was so sad to leave on the final day.
So when I started working at RT last fall, I had a sense of how great this community was, and I was 100% on board with it.
But this weekend - it was different.
After I finished up with dinner, I jumped into the chat to see what was going on. The stream was between sessions, but people were still actively chatting. What I thought would be a simple hello turned into two days of amazing interactions with people from all over the world.
I saw RT members jump in and out of chat who already knew each other and I saw new groups of people come together and make new friends. I saw people give out endless advice and help each other, build each other up, and bring nothing but positivity to each other. And even in the midst of routine stream errors and new site mishaps, I didn't witness a single person get upset by the chaos, but rather saw people giving constructive feedback and many thanks to our engineering team for their hard work to put together something amazing for all of us to use.
Just because I work for this amazing company, doesn't automatically make me an authority on our content or a star in the gaming world. But in this community, I feel accepted and loved regardless of how many shows I've seen or how good I am at the games I play. Y'all accept me, and every one of our community members no questions asked. You make this world a positively beautiful place to be.
We're all united by our shared love of everything Rooster Teeth, and I want to thank all of you for welcoming me with open arms into this crazy community.
Each one of you is a part of the reason we all find a little bit of home in Rooster Teeth, and for that, I am forever grateful.
2 weeks agoericvespe
It's almost impossible to separate the circumstances around The Cloverfield Paradox's release from a review of the movie itself, for good or ill. We didn't even know the title of this movie 24 hours ago and now just about everybody has seen it.
That's groundbreaking and something only Netflix can get away with. I don't think even Hulu or Amazon has the clout (and deep enough pockets) to pull something like that.
The critics are savaging the movie and they're not entirely wrong. On a script level The Cloverfield Paradox is a mess. The science is sloppy and inconsistent. The film is filled with eye-rolling conveniences and “just because we need it there” plot points, but it's not the worst thing you've seen. Hell, it's probably not the worst thing you've seen this year.
Are critics upset about it wholly because it's a sci-fi/horror flick that doesn't have a rock solid script or is there something deeper there? It's interesting to note that this kind of surprise drop takes the film critic out of the equation, at least when it comes to first blush impressions. That might rub some the wrong way on its surface and just maybe that resentment sneaks its way into some of the more vitriolic hot takes that have come out over the 16 or so hours.
Now, I don't buy into movie critic conspiracy theories, mostly because I've been in that world since I was 16 and have seen very little evidence of just about every accusation (from studio bribes to opinions being influenced in major ways by access), so I won't say this is true for everybody who didn't like this obviously super flawed movie, but it is an interesting question as we face a rapidly evolving feature film distribution landscape.
Personal taste always comes into play as well. For instance, I have a great big ol' soft spot for sci-fi horror and may be more lenient toward the genre than some critics. I also put a lot of weight in high production value and can forgive some plot issues if there are characters I like in the mix.
Not everybody wants that out of their cinematic adventures. I get that, which is why a good review, whether positive or negative, is at its best when it communicates context. You know my context so when I say I actually liked The Cloverfield Paradox you should have a handle on why.
Yes, they once again shoe-horned a Cloverfield tie-in to another completely unrelated script and yes, it shows. It feels like this movie should have had an A and B story. The A story being the sci-fi horror film following Gugu Mbatha-Raw's Hamilton in space as her scientific experiment on board a space shuttle goes wrong and the B story being her husband Michael's story on Earth as the accident above triggers the events of the first Cloverfield movie.
Either you do that or you keep it a Twilight Zone twist like they did with 10 Cloverfield Lane. You can't have it both ways. They spend just enough time with Roger Davies on Earth to distract from the space story, but not enough to actually have a story reason to divide the narrative like that.
I like the idea of Davies on a parallel story to the first Cloverfield film while his wife is dealing with some very heady ideas about their relationship in what's going on in space, but it's only that: an idea. If it had been fully integrated then the movie would have been significantly better, but as it is it's just there.
Or you double down on the formula 10 Cloverfield Lane established and have the big twist be that the energy test that goes wrong in space creates the events of the first movie and have that revealed at the end. As much as the final shot of the movie gets shit on by many of my colleagues I think it could have been a great reveal. It may be a bit typical of these darker sci-fi/horror films (Life had a similar dark ending), but if you're going to stick to a formula do one that has a good pay off.
The reason I can't hate this movie is because I just like the characters too much. The performances from Mbatha-Raw, Inglourious Basterds' Daniel Bruhl, David Oyelowo and Chris O'Dowd are all notable. I like their chemistry, I like their characters, so I actually gave a shit about what was going on in the space ship.
Even when the plot falls into the generic sci-fi/horror movie formula I still liked the characters enough to not let that kill the movie for me. There is one beautiful stretch where things start getting reeaaaaaallllly weird and if that had been the turning point of the movie and they'd fully committed to some of those big, trippy, bizarre ideas the movie would have been much better for it. Sadly it never does, but again I was invested enough by this point to see it through to the end.
I can't argue the many, many plot conveniences and stuff that made little sense save for that it was needed to push the story along and that could be a movie killer for you. It was indeed for many of my colleagues, but I guess my expectations were more in line for what the movie actually wanted to give me so I was able to leave satisfied.
Also the price was right. I didn't pay $15 for a ticket and was able to watch it by firing up my Xbox and clicking on the Netflix app, so I find it hard to get all worked up like the movie personally insulted me.
This isn't the death of the Cloverfield franchise... it might be a warning that people might want to see a movie that, you know, starts out as a Cloverfield movie and isn't retrofitted late in the game to be one, but it's not the end of the line. It's not an affront to the sterling legacy of cheesy sci-fi/horror movies. It's a well-shot, sometimes interesting and risky, goofy character piece about what happens when you fool with mother nature.
The plot is pretty much a copy of about a dozen Star Trek episodes, but with a little taste of the nastiness of something more akin to Event Horizon or the '80s schlockfest Galaxy of Terror. Both of those examples are way more successful at hitting that mark, but I guess at the end of the day I give The Cloverfield Paradox point for even aiming to be that kind of movie.
What do you folks think? Am I being too easy on this one? Or is everybody else being too tough?
2 weeks agodan_dan Editor | BLOOD FEST
What's up, RT fam? Have you heard about the concept of "Yes, And.."?
You improv comedy fans might already be familiar with this, but for those who aren't, "yes, and..." is the idea that when you interact with someone you accept what they say without judgement (yes), and then expand on it (and...). This framework moves things forward in a way that's highly collaborative and arrives at some very interesting results.
The cool thing is that this can be applied beyond improv comedy. When I got my head around this, it changed the way I approached edit sessions. By accepting someone's premise or note, and moving things forward I help them (or myself) expand on that line of thinking. More often than not we arrive at some amazing solutions to complex problems. Once you've arrived at a solution, then you can make up your mind on if it works better than the alternative or not. The best idea should always win.
In editorial (and in life too...I guess), there are essentially limitless possibilities. Being open to what could be a better possibility is going to help make your work better, make you a better person to work with, and make things more fun. At least that's the case with me. Have you experienced that too?
2 weeks agopatrickmatthewz RTX Events Coordinator
You may be wondering if we were thinking about doing another RTX London. Well stop it! We are!!
We will have more information for you soon, but as of now we just want you to save that date!
RTX London 2018
September 15th-16th, 2018
Save it! It is going to be rad.
See you soon,
2 weeks agoericvespe
Yesterday we got a small TV spot for Solo: A Star Wars Story and this morning we got the first full trailer, which actually doesn't reuse much of that Super Bowl spot footage. I have some thoughts, but let's get to the trailer in case you haven't seen it yet:
Here's what I like: All the western elements, particularly that Sergio Leone-ish holster shot. Any second of Donald Glover as Lando. Woody Harrelson looking like he's having a ton of fun as the mentor-ish character known as Beckett.
My concern is that Han Solo will be the least interesting character in the Star Wars prequel spin-off movie called "Solo."
I wasn't particularly onboard with idea of these spin-offs being nothing but "Young Fill-In-The-Blank" films. To paraphrase Patton Oswalt, just because I like ice cream doesn't mean I need whole movies to tell me how it was made. At best a young Han or Yoda or Boba Fett movie will feel like fan fiction, at worst it'll completely demystify the characters we love.
But I am a Star Wars fan, born and bred. I'll see any Star Wars movie so even if I'm wary of the approach I'll always be hoping for the best. I like a lot of what I saw in the Solo trailer, but if I'm honest it has me the least curious of just about any Star Wars movie since the prequels.
I will say the poster campaign is pretty on point, though. The character posters put out today are sweet. Check 'em out:
Yeah, they do look a tad like toy packaging art instead of your typical character poster, but hey, I'll take it. Plus, I always like it when they try to weather and age the look of a Star Wars poster. One of my favorite original Star Wars posters did just that:
What do you folks think?
2 weeks agotoddwo32 Creative Producer
Hey! I pop up in Rooster Teeth videos here and there but I haven't properly and officially introduced myself to the community here. And since this is the Year of Community at RT, there's no time like the present.
My name is Todd Womack, and I've been working in entertainment for about two decades. Most recently, I spent five years as a writer/performer/director at Barely Political, one of the early big YouTube channels, now called The Key of Awesome. My job there was to make viral videos. In that time, we made hundreds of fake commercials, sketches and music videos, and I'm proud to say that I had a major part in bringing in over 2 billion views there. Around a hundred million of those views feature me playing the performer Pitbull in parodies of his "songs." While I had fun doing that character, I never wanted to be known as a Pitbull impersonator, so don't bring it up. But that's what Josh Flanagan calls me.
One of my favorite things I made there was a series of fake commercials for a fictitious product called New Zealand Style Deck Sealant. That series of 3 videos is up to about 10 million views total. It's a type of comedy I like to call Dumbclever, in that it's a dumb concept that's been executed well. And I just learned that every Aussie knows this video, and I have like a million free drinks waiting for me there. If you're ever at RT headquarters I still keep the original can of Deck Sealant on my desk.
One fact I think is interesting about that whole experience is that our YouTube channel was owned by a company called Next New Networks, that in 2011 was bought by YouTube, which is of course a subsidiary of Google. So we were doing all these comedy videos while being guinea pigs for YouTube itself, testing out new elements, making corporate videos, and feasting on the free gourmet food there. So my job before this one was actually at Google. My parents were finally okay with me going into comedy. At some point Google released Barely into the wild and it was time for me to leave New York, where I had lived for 11 years. I moved back to my college town of Austin, got married, and started working at Rooster Teeth as a producer in the broadcast department after working on a TV show with Joel Heyman and Brandon Farmahini made by RT for Verzon's Go90 as a writer/producer.
Before that I spent about 12 years as a standup and sketch comedian in New York and L.A., traveling the U.S.A. and the U.K. making jokes. I still do some standup and weird character pieces around Austin, and at the moment I'm working on some new shows here at Rooster Teeth. You can see me every once in a while on the RT Podcast and On The Spot. Drop me a line if you want I'm a friendly dude :)
2 weeks agoSteffie AH Social
Excited but cautious. I'm legit mostly interested in this movie cause of Lando. He's such an interesting character and we get so little of him. His characterization in Star Wars: Rebels sealed him as one of my favorites.
Also, I will probably riot if they make Han this suave, ladies-man. Han is a stubborn man-child who is not great under pressure.
2 weeks agoericvespe
Yep, in a surprise move Netflix did what all of the giant Hollywood movie studios could not: Announce and release a movie almost instantly.
It made news that Netflix bought the Cloverfield tie-in from Paramount, but nobody knew what the streaming giant's plans were for the movie, which has been known off and on as "God Particle" and is now titled The Cloverfield Paradox.
Thanks to this Super Bowl trailer we know exactly when we can watch the movie... in, like, an hour or something.
There's a thousand think pieces about how moves like this can and will change the movie industry, but right now let's just soak in how cool it is that we get our first look at a new franchise picture and can almost immediately watch it. That's pretty incredible.